Marsh_Hawk_Review_Spring-2022.pdf
https://marshhawkpress.org/wp-content/uploads/2022/05/Marsh_Hawk_Review_Spring-2022.pdf
https://dulibraries.wordpress.com/2020/07/13/broken-slivers-susan-howes-concordance/
“Archives, Artifacts, Apostrophes: Susan Howe’s Spontaneous Particulars.” Denver Quarterly. 50.3 (2016): 99-107; http://www.du.edu/denverquarterly/media/documents/howard503.pdf
“Art in Art / Stone on Stone: Susan Howe’s Quarrying.” Talisman: A Journal of Contemporary Poetry & Poetics. 44 (2016): http://talismanarchive3a.weebly.com/howard-howe.html
“‘TANGIBLE THINGS / Out of a stark oblivion’: Spellbinding TOM TIT TOT.” Special Collections Showcase. University Libraries, University of Denver (August, 2015): https://dulibraries.wordpress.com/2015/08/05/tangible-things-out-of-a-stark-oblivion-spellbinding-tom-tit-tot/
“Dialectical Poetics: Henry Weinfield’s Blank-Verse Tradition.” Denver Quarterly. 49.2 (2015): 105-11; http://www.du.edu/denverquarterly/media/documents/howard492.pdf
“WYSIWYG Poetics: Reconfiguring the Fields for Creative Writers & Scholars.” The Journal of Electronic Publishing. Ed. Aaron McCollough. 14.2 (2011): http://dx.doi.org/10.3998/3336451.0014.204
“Literal / Littoral Crossings: Re-Articulating Hope Atherton’s Story After Susan Howe’s Articulation of Sound Forms in Time.” Water: Resources and Discourses. Ed. Justin Scott Coe and W. Scott Howard. Reconstruction: Studies in Contemporary Culture. 6.3 (2006): https://web.archive.org/web/20080828020123/http://reconstruction.eserver.org/063/howard.shtml
“‘roses no such roses’: Jen Bervin’s Nets and the Sonnet Tradition from Shakespeare to the Postmoderns.” Double Room. 5 (2005): http://webdelsol.com/Double_Room/issue_five/Jen_Bervin.html
"roses no such roses": Jen Bervin’s Nets and the Sonnet Tradition from Shakespeare to the Postmoderns
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This portfolio last updated: 25-Apr-2023 1:57 PM